Archive for March, 2008

Brian’s Hidden Beauties XLVIII: All I Wanna Do

Saturday, March 29th, 2008

Mike Love in concert, June 2006.

Mike Love gets a bad rap -we won’t go into the argument here how much of it is self-inflicted- but that issue does mask the fact that he did have considerable talents. Aside from being the “voice” of many of the best-known Beach Boys hits, he was also capable of singing in a tender and romantic style, showcased by the Sunflower track, All I Wanna Do.

This is the one of Brian’s soaring melodies where the music seems to take you places that other writers don’t go -but it is backed by an interesting synth-oriented production and Mike’s strong vocal. All in all, a little known track that is very much part of the harmonic overall excellence of Sunflower.

Dates Confirmed

Thursday, March 27th, 2008

The recently mentioned Brian Wilson tour dates have been confirmed on the website, except for the New York City date on 11 July. In addition, there are three dates at the Hollywood Bowl in Los Angeles on 12, 13 and 14 September.  The shows have been described as classics plus greatest hits, so don’t expect any Lucky Old Sun (even at the Hollywood Bowl, which would seem very appropriate for Brian’s homage to California.)

Norman Smith And Neil Aspinall

Wednesday, March 26th, 2008

I guess it is mostly about the passing of time, and maybe a little bit of the rock ‘n roll lifestyle, but it is a bit frightening to think about the people in the Beatles story who have passed away, let alone John and George. This month alone, we have lost their record engineer, Norman Smith, and, just two days ago, close Beatles associate, Neil Aspinall. Neil Aspinall was a key part of the Beatles story in all its phases, and ironically, one of his last tasks before leaving Apple last year, was to oversee the remastering of the Beatles catalogue for the anticipated re-releases and digitalisation this year. Rest in peace, Neil and Norman.

Quiet Protest

Monday, March 24th, 2008

Protest Songs may be an arresting title but what was Prefab Sprout’s third recorded album actually ended up being released “under the radar” four years after it was recorded, and indeed after From Langley Park To Memphis, an album that was recorded after Protest Songs.

And while the opener, The World Awake, could be a title to a call to arms, the lyrics and tone suggest a resigned acceptance of the human condition

That frightening little sound it’s just the world awake

It’s just a way of saying we’re in business

It’s just a lightning strike, it’s just a family row

It’s just the give and take of forgiveness

The sense that the protest is far more personal than political is reinforced in Life Of Surprises, the best-known track from the album and a belated single, and surely one of the greatest songs about those personal relationships that suddenly go pear-shaped


Darling it’s a life of surprises

It’s no help growing older or wiser

You don’t have to pretend you’re not crying

When it’s even in the way that you’re walking

The album continues in this vein, focussing on the minefield of relationships between people, the connections -broken and otherwise, and the real protest seems to be against all the heartbreak and anguish we seem to endure in human relationships. There is an amazingly perceptive song about Princess Diana (called Diana) that captures the obsession with her to a tee, especially in the lines

The darling of, the darling of, creation of the editor

I guess that’s what, suppose that’s what she’s for

I hope they’re crying in their sleep for promises they cannot keep

For disappointments rooted deep

That’s why the boys and girls love Diana

Finally, we get to a sense of hope with the final track of the Pearly Gates, but even here there is a sense of tiredness and world-weariness as one gets close to a sense of redemption.

There’ll be no stampede on the Pearly Gates

I’ll say ‘after you,’ you’ll say ‘I don’t mind the wait’

There’ll be no stampede on those imposing doors

Naked and afraid, cowering we crawl on all fours

Protest Songs is by no means an upbeat album, but it is encouraging in the exploring of human emotions that we all feel, much like another album that shares the same initials, Pet Sounds. This is a quiet protest that I encourage you all to be part of.

 

Reflecting On Sunflower

Saturday, March 22nd, 2008

The first time I heard tracks from Sunflower was in 1994 after I had bought the box set. Given that my view of the Beach Boys at that stage was that their creativity finished around the SMiLe sessions (and I had bought the box set largly out of fascination with the idea of some released SMiLE material), the songs from Sunflower made me realise that Beach Boys brilliance didn’t finish some time around 1967.

1970 was hardly a calm time for the Beach Boys band, still suffering from an almost complete loss of commercial success in the USA and only thriving from ongoing support in the UK. Brian’s output was declining, Dennis was having his troubles, and even Mike went off the rails briefly to the extent that Brian ironically replaced him on tour. But if there is one word that can describe this album it must be “harmonic” and there appears to be a great level of co-operation amongst the band.

It is one Beach Boys album that shows conclusively that talent didn’t end with Brian; yet at the same time, Brian’s presence lifts the album – he co-wrote 7 of the 12 tracks, and is vocally involved in tracks he didn’t write like Forever, with his falsetto lifting the song. Dennis is also important -writing 4 songs including Forever, which we have previously discussed.

As I have discussed in a previous post, the album is very much of a transcendental era where beauty is found in nature (Cool Cool Water, At My Window) as well as in the simple things in life (Add Some Music To Your Day, This Whole World) and the perfection of romantic love (Our Sweet Love, Forever). There is an update, positive nature to the album with Bruce’s Tears In The Morning being the only real “downer.”

But it was the end of an era in a way. Brian’s retreat from the band continued even as they found new relevance in being “hip” under Jack Rieley and Surf’s Up and the beauty in nature turned to terror and depression (‘Til I Die, A Day In The Life Of A Tree). Sunflower therefore stands as a brief, shining moment of internal and external harmony, that deserves far wider recognition than its cult status amongst Beach Boys fans.

And Now We Have A Tracklist…

Wednesday, March 19th, 2008

..for the Pacific Ocean Blue re-release. Fans and collectors are starting to get excited with many unreleased, and indeed, unheard tracks. For tracklist and background, check our message board at

http://www.shutdown-vol2.com/forum/index.php?PHPSESSID=d0092ba20831cd6337d3be74a8e384e8&topic=2438.0

Brian’s Hidden Beauties XLVII: This Whole World

Tuesday, March 18th, 2008

A color image of Earth as seen from Apollo 17.

It may be a presumptious title but This Whole World does cover in less than two minutes a whole planet of brilliance from Brian Wilson. One of the highlights of Sunflower, it remains a fan favorite of Brian and Beach Boys fans, and gained new meaning as fans all over the world connected up with each other in the nineties and noughties on “this whole WWW.” The song was also a feature of Brian’s early setlist when he returned to touring in 1999.

“Aum bop did it” may be the catchy refrain you remember the song by, but you’ll also be hooked by the great vocals and harmonies, and Brian’s sense of wonder as the lies in bed late at night and reflects on the “love of this whole world.”

One of the topics for discussion that I remember in message boards and chats soon after I got onto the internet was the lead vocalist for this song. Sometimes the Beach Boys seemed to have a habit of sounding like each other, but consensus is now that this is another great vocal from Carl on the original version.

Exclusive Boxette

Sunday, March 16th, 2008

Boxette cover

One of the most exciting times for a commited fan of any musical group is when the box set comes out. And when that box set contains all previously unreleased material, it really does feel like an early Christmas.

So Saint Etienne’s release of their unreleased (or previous exclusive fan club music) on a 4CD box set has been one of the early highlights of my musical year. Saint Etienne may be in the electronica genre but with album titles like So Tough,  You Need A Mess Of Help To Stand Alone and Good Humor, their credentials to be discussed on Beach Boys blog are pretty solid.

Three of the CDs contain music on previous fan club exclusive releases (sent free to fan club members a la Beatles) while the fourth disc called Eric Random collects some odd and ends unreleased and other fan club songs. So the whole collection is pretty much outtakes and material not considered suitable for other albums.  This means there are a few failed experiments, a Message In A Bottle that Sting fans won’t want to hear, and a few descents rather close to techno hell, but there are also a lot of jewels here that make this more than worthwhile. In particular, Please and Summer Song are perfect pop jewels that remind that life is very much worth living.

3000 copies were made of Boxette and they are all sold out. So EBay may be your best way to get one, but why not join their fan club now and make sure you don’t miss out on future exciting goodies.

Brian’s Hidden Beauties XLVI: Add Some Music To Your Day

Saturday, March 15th, 2008

 

 

We haven’t had a “hidden beauty” for a while, but there are still plenty of uncovered treasures out there, especially on our featured album of this month, Sunflower. Add Some Music To Your Day is one of these, and indeed, as a song that talks about the healing and transformative power of music in our lives, one deserving a big rise in profile.

Sunflower tanked in the USA chartwise, which meant that the songs became unknown outside Beach Boys fan circles. But for those who did bother to listen, here was a song that spoke about the real essence of what music is – a companion to the ups and downs and our lives. With great lead and harmony vocals from just all the band, this was a gorgeous package with the beautiful section from Brian “when day is over” being the cherry on top.

The song was also featured in Brian’s early solo shows in 1999 and 2000, with a version appearing on the Live At The Roxy album. Yes, it wasn’t the Beach Boys, but Brian’s new band demonstrated that the song still had healing powers for both the audience and creator almost 30 years later.

More Dates, No Sun

Friday, March 14th, 2008

Still no sign of a Lucky Old Sun USA tour or album, but there are some more North American festival/casino dates scheduled this summer for Brian Wilson as follows  They aren’t on the official website yet, but are expected to be confirmed soon (remember there are UK dates just before these)

July 8 Niagara Falls, Ontario, Fallview Casino
July 9 Ottawa Blues Festival
July 11 New York City,  Hammerstein Ballroom
July 12 Highmount NY, Belleayre Music Festival
July 13th Hampton Beach, New Hampshire. Casino Ballroom