Archive for February, 2007

Brian’s Hidden Beauties XVIII: Soulful Old Man Sunshine

Wednesday, February 28th, 2007

The sun is a key motif in Brian and the Beach Boy’s music- it is a key motif in the symbolic paradise of summer that the early Beach Boys music created in the minds of the early 60s music. It is the sustaining power that keeps us going through the despair of The Warmth Of The Sun. And we are intrigued how Brian will return to this theme when he unveils his new work in London in September called The Lucky Old Sun.

And then there is Soulful Old Man Sunshine, a song Brian wrote with Rick Henn from the Sunrays (can’t get away from the sun), that was attempted as a recording in late 1969 but never released as the Beach Boys felt they never did a satisfactory recording, and Carl was never happy with his vocal. Eventually the song was released on Carl’s passing on the Endless Harmony soundtrack, and was an immediate standout. It is a somewhat unusual track for the group, with horns and a jazzy feel, but the group’s sense of harmony and simple grasp of a brilliant pop melody make it a classic and another hidden beauty of Brian’s writing talent, as well as the Beach Boys’ ability to pull together a great piece of music.

And Yes, We Must Remain The Wildhearted Outsiders

Tuesday, February 27th, 2007

“You’ve always been searching for something” is the first line of the first track of the new Dexys Midnight Runners compilation, The Projected Passion Revue. And this pretty much summarises what Dexys are all about -searching for that elusive something that completes you, be it physical or spiritual.

Dexys have always been a favorite of mine from my teenage years. They probably don’t share too much with the Beach Boys or Brian, although leader Kevin Rowland also has been something of an outsider and maverick in the same way as Brian, and their 1985 album Don’t Stand Me Down does get spoken in the same breath as Pet Sounds in some of the UK press. In the USA, they tend to be remembered as VH1 One Hit Wonders for Come On Eileen, but they did do a lot more than that.

The Projected Passion Revue covers the band’s work in 1981, comprising 3 single A and B sides, a live show and special recordings for the BBC. It is a transitional phase between the first two albums of the group, with tracks from both records, plus some rarer songs. The album is a snapshot of a band in a creative and passionate phase, and although the live performances can be a bit raw, it is certainly worth a few listens. The strongest tracks for me are the standouts from the early albums- Plan B, Tell Me When My Light Turns Green, Until I Believe In My Soul and Let’s Make It Precious but they are worth a listen in this alternative presentation. Certainly an album worth checking out, and one lives up to its name. You can buy it at Amazon UK or USA.

Brian Goes NARMy

Tuesday, February 27th, 2007

Via The Nearest Faraway Place , read this story about a special promotion Brian will be doing for NARM (the National Association of Record Merchandising, along with EMI and the Rock and Roll Hall of Fame. Nice to see Pet Sounds get this recognition, but fans will probably be most intrigued by the Beach Boys news that will be announced there.

Celebrating A Life Of Love

Saturday, February 24th, 2007

I have a confession to make. Although I have been a “serious” fan of the Beach Boys for well over ten years, I have never bought or read the fabled Endless Summer Quarterly magazine. I could use distance as an excuse, but given the fact that the edition I have just ordered took just over a week to wing itself to South Africa, I can’t even use that as a reasonable justification.

So I will try to atone by talking about the December 2006 edition which includes the Carl Wilson tribute CD Under God and saying that this is an absolute gem that any one who thinks they are a slightly serious fan of Brian Wilson and the Beach Boys should be getting pretty snappily. It features a previously unreleased Brian Wilson song which is pretty exciting in itself, but there is a lot more to the album than that.

The content of the magazine and CD is influenced to some extent by the magazine editor’s own recent spiritual experiences. But in case this is disconcerting for anyone, let me say that the spirituality here is not an exclusive “fire and brimstone” message but an inclusive message of love. And given that Carl Wilson’s life was about love and making peace, and being a passionate, beating heart that kept the Beach Boys going and a voice that shared the joy and pain of love and the deepest human experiences, this is very appropriate.

All the participating artists need to be thanked for contributing to such a special album but I would like to highlight a few tracks. The brilliant Alan Boyd contributes another light and beautiful BBesque track LMFW(I’m Feelin’) combined with Don’t Be Afraid Of The Dark  from Channel Surfing. The Olive Branch, featuring John Hunter Phillips contribute the thoughtful pop gem Don’t Say It’s Over.

There are three tracks from the Like A Brother Beckley/Lamm/Wilson album which was the last record Carl was involved with. Robert Lamm’s Watching The Time Go By and Gerry Beckley’s Sheltering Sky are the respective composers strongest tracks from that album and are both thought-provoking and great tunes (the version of Watching The Time Go By featured here is actually an alternate take to Like A Brother with more prominent backing vocals from Carl). And then you have Carl’s last song, I Wish For You, which says everything about the love and compassion of the man.

Finally, a few words about the new Brian song, Believe In Yourself. This was the song Brian wrote for Duck Dodgers in the 24½th Century, acting as Daffy Duck’s spiritual surfing advisor. Although it isn’t in the top drawer of Brian’s songs, it is catchy and the sentiment, updating Don’t Back Down is compelling and appropriate, and does remind one of the days when Brian was writing great rock and roll tunes in his sleep.

With contributions from Brian, Carl, David Marks (showing his guitar prowess on an instrumental Long Promised Road), Matt Jardine, Justyn Wilson and Christian Love, the sum of the contributions makes it a virtual first and second generation Beach Boys reunion. It will probably be closest we’ll get to a new Beach Boys album this year, but that isn’t the reason to get this. Most of all it is a reminder of the presence and love of Carl Wilson, and was put together with a sense of love that is a genuine tribute to Carl. So head over to the Endless Summer Quarterly site if you don’t have this before this special magazine and CD run out.

Getting His Mojo Back?

Friday, February 23rd, 2007

I enjoyed reading the Brian Wilson article in the January 2007 Mojo. Brian seemed to more “into” the interview than most, and having Al there seemed to comfort him as well. I also liked the bit when Brian got excited talking about Love You! and they suggested doing Honkin’ Down The Highway. A hint for the anniversary for the September shows? But please do Solar System as well!

Brian’s Hidden Beauties XVII: Custom Machine

Wednesday, February 21st, 2007

We’ve been concentrating on the latter area Brian songs over the past weeks, as well as more introspective, slower songs. So today we’ll go for a rocking, early era car song and take a trip to the last track on the Little Deuce Coupe album.

Custom Machine is a pretty straightforward early 60s rock-n’-roll number, but what sets this out from ordinary are the harmonic bursts towards the end of the verses that really generate the excitement of a young person let loose on the road in his….well, custom machine. The harmonies get progressively more intricate over the three verses, showing a real development in the song. And it’s all over in about 100 seconds, showing the incredible efficiency of these early 60s tunes…three verses, and solo and it’s still less than two minutes!

Absolutely Nothing To Do With Brian, But…..

Monday, February 19th, 2007

…I’ve started a blog on a South African site to cover the upcoming Cricket World Cup in the Caribbean. If you want to find out more about this peculiarly English sport that has made a huge impact on the Indian subcontinent and elsewhere, why not have a look at http://blogs.tashitagg.com/default.asp?blogname=cwc2007.

 

Grabbing More Saturday Bags

Saturday, February 17th, 2007

Just the semi-regular reminder about the Beach Boys themed show “Heroes And Villains” on Luxuriamusic at 1-3PM Pacific Time (i.e. a few hours time). It’s 4-7PM Easter and 9-11PM GMT.

And I know these come very late to South Africa, but just got my hands today on the December 2006 edition of Uncut, which has Brian Wilson talking about Paul, and January 2007 edition of Mojo, with a Brian Wilson feature and Brian Wilson tribute CD, In My Room. I’ll comment here if I find anything especially interesting in the words or music from these mags.

23 For Today

Thursday, February 15th, 2007

Just a list of 23 songs current on high IPod rotation

1)WOULDN’T IT BE NICE TO LIVE AGAIN (Adam Marsland’s Chaos Band featuring Evie Sands)
2)SHUT OUT THE SHINE (Anny Celsi)
3)NIGHTFLOWER (Belles Will Ring)
4)I REALLY WANT TO KNOW YOU (Cowsills)
5)MANHOOD (Dexy’s Midnight Runners)
6)HOW CAN I BE SURE (Dusty Springfield)
7)MC CARRAN AIRPORT (Free Design)
8)DESTINY (Free Design)
9)ALL THINGS MUST PASS (George Harrison)
10)STRUCK DUMB (Lucky Soul)
11)FOREVER LOST (Magic Numbers)
12)MY HEART STOOD STILL (The Mamas And The Papas)
13)DEATH OF CAROLINE (Nelson Bragg)
14)SOMETHING HAPPENED (The Now People)
15)THIS ROAD WILL NEVER END (The Now People)
16)AMAZING GLOW (Pernice Brothers)
17)JUDY (Pipettes)
18)WHOEVER YOU ARE(Prefab Sprout)
19)LOVE WILL FIND SOMEONE FOR YOU (Prefab Sprout)
20)SWAN WHARF (Saint Etienne)
21)TRINITY WHARF (Saint Etienne)
22)READY OR NOT (Submarines)
23)THE MOON’S A HARSH MISTRESS (Walker Brothers)

 

Brian’s Hidden Beauties XVI: Everything I Need

Wednesday, February 14th, 2007

 

As Brian said on Live At The Roxy, a sad song deserves a happy one. So after the angst and emotion of our recent looks at songs like It’s Over Now, Lay Down Burden and Caroline No, (and still not forgetting that it is the 14th February), it is time to look at the latter day Brian Wilson/Tony Asher song, Everything I Need.

More than 30 years after Pet Sounds, the primary tunewriter and lyricist of that album came up with a song that I always believe to some extent completes, or even resolves that album. Instead of the emotional confusion of young adulthood that Pet Sounds presents, we have a song about a long-lasting, mutually beneficial adult relationship. It may not be perfect, but there is a sense that love can have the happy ending that Pet Sounds never did.

The song was originally done on the 1997 The Wilsons album, featuring Carnie and Wendy, but also with Brian doing a vocal section. The melody is very powerful and the overall effect memorable, but for those who are may be a bit underwhelmed by the AOR production of Joe Thomas, there is another version by Jeffrey Fossket on his Stars In The Sand compilation that features a more classic “Brian-type” production (and also has Brian prominently on vocals).

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