Archive for the ‘Brian's Hidden Beauties’ Category

Brian’s Hidden Beauties LXIII: It’s Like Heaven

Sunday, May 30th, 2010

Under Wraps - album cover

You may be surprised to find a Shaun Cassidy album cover on this blog, but his Under Wraps album featured the first release of this Brian Wilson composition, written with Diane Rovell and Rocky Pamplin.  As you may guess from the co-writers, this song was intended for use by the Honeys/American Spring and was recorded a number of times in 1977/78. However, it only saw CD release as an extra track on the now rare  CD release of the 1972 American Spring album.

It’s Like Heaven certainly qualifies as a Brian Wilson rarity given the above, and while it may not be one of his greatest songs, it is an effortless pop song, evoking a simpler time and simpler love.

Brian’s Hidden Beauties LXII: Country Air

Sunday, February 14th, 2010

It’s been a while since we’ve looked at Brian’s hidden “booty” -so it’s worth remining readers what this series is about. Basically it’s songs penned by Brian Wilson that are not widely known in popular culture -so a California Girls would be excluded. Also excluded are all the tracks from Pet Sounds, SMiLE and That Lucky Old Sun -these are covered in separate track-by-track series.

So we resume our series with a song from the Wild Honey album, known for it’s boogie-woogie feel, and there is still a bit of that piano sound in this track.  However Country Air hearkens back to the more harmonic earlier Beach Boys sound with the great harmonies. The country sounds and humming give the song a homemade feel, but there is also an element of spirituality in the soaring harmonies – a sense of “going home” that Brian returned to on That Lucky Old Sun. It’s another wonderful track from the beautiful transcendental era of the Beach Boys music.

Brian’s Hidden Beauties LXI: Girls On The Beach

Wednesday, April 29th, 2009

Summer Love Songs

We’re completing our trilogy of Summer Love Songs tracks with a look at this classic summer ballad. And at the same time, here’s a preview of the album cover of the new compilation. Girls On The Beach occupies the same harmonic ballad territory as Surfer Girl and The Warmth Of The Sun, and while it may not have the simple yearning of the former and the deep emotion of the latter, there is still a real sense that one is being transported to a summer paradise of eternal youthful emotions. And the real surfer boy and ladies’ man, Dennis, sings the brief solo vocal section.

This was also the title song to the 1965 movie that featured the Beach Boys and contains a performance of this song. Although the song did feature on the famous Endless Summer compilation, it hasn’t been used much in Beach Boys or Brian Wilson concerts, so it does get a welcome place back in the limelight on the new compilation.

Brian’s Hidden Beauties LX: Good To My Baby

Saturday, April 25th, 2009

Continuing our Summer Love Songs look at some hidden beauties, we move onto another track that is generally unknown to the public, but has also featured in Brian Wilson’s shows. Good To My Baby is the second track on the strong Today album and features many hallmarks of that time – strong harmonies, main vocal by Mike, high parts sung by Brian.

There is also evidence of the increasingly sophisticated production that marks Today and the classic mid-60s Wrecking Crew sound. Overall, this is a strong, up-tempo and feelgood track that will certainly enhance the new compilation.

Brian’s Hidden Beauties LIX: Keep An Eye On Summer

Saturday, April 18th, 2009

With Summer Love Songs looming, it seemed appropriate to look at one or two of the songs on the album. Keep An Eye On Summer is an interesting selection, both for that album and this article. It was a somewhat low key track on the mixed bag Shut Down Volume 2 album that mixed classics like Warmth Of The Sun and Don’t Worry Baby  with a bit too much filler. If you read David Leaf’s album notes, you may believe this is part of the filler, but this is actually a pretty love song, with nice vocals and a real atmosphere of longing.

Brian was interested enough in the song to revisit it for his Imagination album, and has done it in concert. Now it gets a higher profile compilation entry -so this beauty may not be as hidden now.

Brian’s Hidden Beauties LVIII: Being With The One You Love

Friday, January 23rd, 2009

Brian Wilson in 2007

In my last entry, I looked at a song that a few people saw as underrated gems, and here is another obscure solo track that has a few fans. Indeed, Being With The One You Love was a single B-side, the underbelly of the Melt Away single -the A-side being on the Brian Wilson 1988 album. This song only got a CD release when the Brian Wilson album was re-released with bonus tracks in 2000.

The song’s genesis was a track called Doin’ Time On Planet Earth from the Wilson/Usher era. In it’s released form, it’s one of Brian’s from the heart love songs, expressing the vulnerabilities and deep emotions of being in love -even if it isn’t poetry, it’s one of those songs that is very easy to identify with.

Brian’s Hidden Beauties LVII: Fairy Tale

Sunday, January 18th, 2009

Some people (including serious Brian Wilson fans) may question my sanity in including a third song from Gettin’ In Over My Head, but a thread on our message board around underrated Brian Wilson songs convinced me I wasn’t the only one who like Fairy Tale from that album. This was originally a Sweet Insanity era track called Save The Day with a bit of a world-peace message but the lyric was re-written by David Foster for the released version although the melody is intact.

And indeed, the melody is the reason that this song is in my hidden beauties collection; even if you may not like the vocals, lyrics and production, surely this is one of Brian’s great tunes -certainly one that sticks in my head quite often. I actually find the released version quite moving, especially the harmonic sections at the end. So I am not alone, and not ashamed to say that I really like this song.

Brian’s Hidden Beauties LVI: Time To Get Alone

Tuesday, January 6th, 2009

I’ve said it a few times on this blog, and I’ll probably say it a few times more – it was Disc 3 of the Good Vibrations box set that converted me from a casual to a serious Beach Boys fan, and made me realise there was a lot more depth to the catalogue than Pet Sounds and the hits. One of the songs that made Disc 3 great was Time To Get Alone ; a classic love song written originally by Brian for his friend Danny Hutton and Redwood (precursor to Three Dog Night).

However, presumably, the Beach Boys realised this song was too good to pass them by and it was included on the 1969 20/20 album. The song is noted for the chillingly beautiful “deep and wide” moment, but also shows Brian’s ability to write a simple, catchy and beautiful love song. Carl Wilson’s production also helps transform the Beach Boys recorded version. You can also a hear an alternative version with an a-capella tag on the Hawthorne, CA compilation.

Brian’s Hidden Beauties LV: The Revo-lution

Wednesday, October 29th, 2008

As you can see, we are catching up on our hidden beauties after a bit of a Lucky Old Sun induced hiatus. And here is a real obscurity, and no, it is not Brian Wilson making an early political statement. Rather, it is Brian’s response to the dance crazes like the Loco-motion that were popular in the early 60s. According the liner notes for Pet Projects  (where you can find this track), this was quickly written by Brian and Gary Usher and recorded by a quickly assembled group of singers monikered Rachel And The Revolvers.

The result isn’t a major classic, but it does show Brian’s ability with the classic pop sound, and one does feel that with the right promotion, we could be dancing the Revo-lution still in 2008. Indeed, maybe it would be a good dance for these crazy times….

Brian’s Hidden Beauties LIV: Solar System

Tuesday, October 21st, 2008

The planet Mars

“If Mars had life on it, I might find my wife on it” -these immortal lyrics come from one of Brian’s most quirky songs, and one that might draw a genuine line between hardcore Brian Wilson fans and the more casual variety.

Solar System, from Love You, is a light years from God Only Knows or even I Get Around in style and sound. At first listen, it may seem simplistic and primitive but underneath is a strangely beatiful and deep melody, supplemented by lyrics that show Brian’s confused state of mind, veering between childlike wonder and deep alienation.